That way, when we cover the techniques, it will make sense why we're doing what we're doing.
My goal in this course is to give you a deeper understanding of the fundamental principles of color and color correction. The problem is that much of the tutorials and training out there just kind of skim the surface or show you how to do one isolated technique. You know, I get a lot of questions on social media and my classes or whatever about how to color grade. We're going to be looking at color and how to take your footage from bland and lifeless or even downright ugly and make it something beautiful. 01 Course overview: hello, Good people of skill share in this training Siri's. And also, I think this is just really fun stuff! So, you know. The goal here is to get you so familiar with color grading, that you can feel comfortable diagnosing and fixing any color issues manually, and in any color correction application. If you have experience with video in any editing application you should be able to follow along just fine and learn a ton. It might be a smidge helpful if you're vaguely familiar with Adobe Premiere and/or Adobe After Effects, but that's not essential. Then we'll get our hands dirty as we play with color in a host of popular color grading applications: Redcine-X Pro (which is FREE!), Adobe Premiere Pro, Adobe After Effects, and finally DaVinci Resolve. secondary grades, how to use scopes and more. We'll start out by going over basics such as color theory, what makes an image look pleasing, using LUTs, primary vs. Optimal Intensive is the slowest blend but the best quality.In this course, we'll take a goooooood solid look at color correcting video footage. Kenchington demonstrates how to change the duration of a slowed down video. Creating a Constant Speed Change (07:47)Ī constant speed change uniformly alters the speed of the clip. Kenchington demonstrates smart caching in DaVinci Resolve. Rendering and Background Caching (03:19)Ī red dot depicts that the computer is playing a clip that needs to be rendered. The output blanking menu changes the aspect ratios. Kenchington demonstrates how to apply the tilt-shift-blur effect, scaling clips and animating footage. The shift and down buttons will jump between markers. Ollie Kenchington demonstrates how to create fade-ins using handles, cross dissolves, and smooth dissolves. Graphics and effects add visual interest to scenes. This episode will focus on adding transitions to a scene. Introduction: Applying Transitions and Effects (16:42) FREE PREVIEW
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